(… continued from “Color Code, part 3“) Looking at music through the letters and numbers is like wearing a pair of opaque glasses. If you can’t really see through the lenses, then what is the point? Ahhh … but this is where Color Music comes in. Because it finally solves our problem. Like a pair

So, I recently discovered Sara Bareilles on the radio. And wow! She’s really good. Definitely one of the best singer/songwriters out there today. I missed her recent concert in my neck of the woods. But I heard it was great. It’s always cool—and rare—when a musician’s live performances are better than their studio recordings. But,

So, I’m kind of curious … what is your native language? These days, we have a lot of readers in different countries. Which means I’m guessing some of you speak English … or Spanish … or French … or German, Japanese, Dutch, Polish, Italian … or one of many other languages out there. But the nice thing

  (… continued from “Color Code, part 2“) When we apply numbers to music, the poor fit becomes obvious. While the musical pattern repeats seamlessly, the number labels look choppy and awkward. And it gets worse because letters have this same problem. Like the number line, the alphabet is also a linear pattern. So when