In our last song, “Pachelbel’s Canon,” we added even more chords to a progression to create some very cool sounds. By rearranging the major scale pattern, we ended up with something beautiful. And it’s a simple trick, really. All we did was take a few major and minor chords, switch them around a bit, and

Now that we’ve played through a few chord progressions, we’re definitely getting better. Our brains are bigger and our hands have gotten a lot of target practice moving back and forth between chords. But after a while, life would get pretty boring with only three primary chords, right? So to keep things interesting, musicians often

You’ve got to admit, the flow between the tonic chord (I) and the dominant chord (V) is nice. And that’s because the movement from one triad to the next is like a short visit with a good friend. But after a while it’s fun to with hang out with other friends, too. So musicians like

As musicians, our lives are built around the tonic chord (I) of a song. It’s like our home … which is a pleasant place to spend much of our time. But to keep things interesting, we also have to venture out every once in a while. Otherwise, life might start to get a little boring.

After playing through each major scale progression, you might have noticed something cool. For some crazy reason, Mother Nature totally loves us. Instead of throwing us some curveball, she decided to make things easy. When it comes to chord progressions, we don’t have to reinvent the wheel. Because they’re really just based on the same,

Chord progressions are really easy to play. And that’s because they’re based on the old, familiar scale patterns we already know. Using the C major scale, for example, we can come up with a chord progression that sounds awesome. We simply build one chord on the tonic (1) note … and another on the major-second

In most of the music you’ll play, each chord will have only three notes. The average song includes only basic major triads and minor triads. And occasionally, you might see a few augmented triads and diminished chords. But for the most part, musicians keep it simple … and they stick with the major chords and minor

So … major chords are easy to play. They’re all built from a basic note pattern of “1-3-5” … and each one has a nice, strong sound that goes well with most songs. But the truth is, the major chord isn’t our only option. Because, really, it’s just one of fourbasic chords in music: In the key

After playing through each major scale, you may have noticed that some of the keys have a lot of sharp (#) symbols … while others have a lot of flat (b) symbols. For example, check out the B major scale, which has a total of five (count ‘em … 5) sharp symbols: Seriously, can you imagine

So … music notation is just another way of showing the 12 notes of the chromatic scale. Which means we are—yet again—back to square one (or circle one … pardon the pun). You see, nothing has changed about the 12 notes in this pattern. It’s just that we now have the advantage of being able