This post is continued from “Consonance and Dissonance (Part 3)“ Using Color Music, we can actually see the pattern of consonant and dissonant intervals. And without a doubt, the connection between complementary colors and tritones is awesome. But we can see even more. For example, check out the gradation bar below. It highlights exactly what’s

This post is continued from “Consonance and Dissonance (Part 2)“ With Color Music, our spectrum of consonant and dissonant intervals starts to click. In the key of C, for example, we get a much better view of what this pattern is all about. Of course, these colors may seem random at first. But as you

This post is continued from “Consonance and Dissonance (Part 1)“ In music, consonant and dissonant intervals are super-important. Because they tell us which notes sound good together … and which notes sound bad. Using plain, old scale degrees, we can kind of see what these intervals look like—check it out. We just rearrange the 12

Color Music is sweet because it reveals every note pattern in music. At a glance, each color tells us which note is which … and how they all relate. Like a powerful one-two punch, this color code gives us a big advantage in music. But the colors alone can’t do the job. Which is why

So far, we’ve been building our songs using simple layers. Starting with a melody and a few chords, we’ve played some pretty awesome tunes. And by repeating certain parts, we’ve expanded our music into larger and more interesting compositions. But before you start repeating any old random notes, remember this: the melody is still the most important

Without a doubt, repetition is important. It’s a natural way to take a short musical idea and turn it into something bigger and bolder. Which is why musicians use repeat symbols a lot. In fact, beyond the simple repeat sign, you’ll also sometimes see other markers that have their own special meanings. The three most popular

!!!WARNING!!! Okay, okay, I know. As an artist, you’re probably anxious to cut to the chase. You might be thinking, “let’s put our skills to use, and start making some music already.” And to be honest, I’m right there with you. But have patience, my child. These next couple of lessons focus a bit more

Circle progressions are useful because they show us the general flow of chords in a song. From one chord to the next, we can see where things are going. And while each pattern may be unique, one rule always holds true—every song has a definite sense of movement and direction. In other words, good music

In our last song, “Pachelbel’s Canon,” we added even more chords to a progression to create some very cool sounds. By rearranging the major scale pattern, we ended up with something beautiful. And it’s a simple trick, really. All we did was take a few major and minor chords, switch them around a bit, and

When we say the primary chords (I, IV, V) are popular, we ain’t kidding. They show up all the time in music. And while a lot of simple folk and pop songs use these triads, the most common example of a primary chord progression is what musicians call the “12-bar blues.” Without a doubt, you’ve