Posts Tagged ‘theory’

Unity and variety

When you think about it, building a song is fairly easy. We just repeat a few parts … and organize each section into a nice, logical order. Usually, our songs will have a couple of different melodies—like a verse and  chorus—that keep things moving forward. And together, these sections create a whole that is greater

Posted in Color Music by / December 18th, 2010 / Comments Off Read More

Song forms

When musicians write a song, they have to ask themselves a few questions. For example, does our song have a main melody? And if so, where do we repeat it? How many times? Do we need to add a second, contrasting melody, like a chorus? What about some buffer or break between the two melodies?

Posted in Color Music by / December 14th, 2010 / Comments Off Read More

I feel like a kid again

I have to admit, I’m jazzed about Color Music. And why not? It shows us exactly how to play any instrument. When we combine color and music, they paint a very clear picture. (In fact, it’s almost spooky.) With Color Music, we cut to the chase. No headaches—just fun. Finally, learning to make music is pure

Posted in This and That by / December 11th, 2010 / Comments Off Read More

Song sections

By dividing a melody into sections, we can rearrange and repeat certain parts to create something new and exciting. Of course, not all songs include every type of section. But the following outlines the most popular ones you’ll often hear: Like the rooms in a building or the acts in a play, each section is a small,

Posted in Color Music by / December 10th, 2010 / Comments Off Read More

Building a song

So far, we’ve been building our songs using simple layers. Starting with a melody and a few chords, we’ve played some pretty awesome tunes. And by repeating certain parts, we’ve expanded our music into larger and more interesting compositions. But before you start repeating any old random notes, remember this: the melody is still the most important

Posted in Color Music by / December 5th, 2010 / Comments Off Read More

More repetition

Without a doubt, repetition is important. It’s a natural way to take a short musical idea and turn it into something bigger and bolder. Which is why musicians use repeat symbols a lot. In fact, beyond the simple repeat sign, you’ll also sometimes see other markers that have their own special meanings. The three most popular

Posted in Color Music by / December 5th, 2010 / Comments Off Read More

Repetition

!!!WARNING!!! Okay, okay, I know. As an artist, you’re probably anxious to cut to the chase. You might be thinking, “let’s put our skills to use, and start making some music already.” And to be honest, I’m right there with you. But have patience, my child. These next couple of lessons focus a bit more

Posted in Color Music by / December 5th, 2010 / Comments Off Read More

Movement and direction

Circle progressions are useful because they show us the general flow of chords in a song. From one chord to the next, we can see where things are going. And while each pattern may be unique, one rule always holds true—every song has a definite sense of movement and direction. In other words, good music

Posted in Color Music by / October 24th, 2010 / Comments Off Read More

The tonic chord (I)

After playing through each major scale progression, you might have noticed something cool. For some crazy reason, Mother Nature totally loves us. Instead of throwing us some curveball, she decided to make things easy. When it comes to chord progressions, we don’t have to reinvent the wheel. Because they’re really just based on the same,

Posted in Color Music by / October 24th, 2010 / Comments Off Read More

Roman numerals

Chord progressions are really easy to play. And that’s because they’re based on the old, familiar scale patterns we already know. Using the C major scale, for example, we can come up with a chord progression that sounds awesome. We simply build one chord on the tonic (1) note … and another on the major-second

Posted in Color Music by / October 24th, 2010 / Comments Off Read More
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Patent No.: US 6,841,724 B2